To ensure the Master mixer track level is an accurate reflection of the final output: The following discussion applies only to the Master Mixer fader. The Monitor Volume knob has no effect on rendered levels - It is designed to allow you to adjust monitoring levels without affecting the mix level. Master Mixer track fader, see the 'Mixer reference diagram' below. ![]() There are two places where the overall output level (volume) of FL Studio can be adjusted. How to accurately set the levels of your final mix. The rest can be achieved with some practice and by trusting your ears. Be assured, everything you need to make a professional sounding mix is provided with the stock FL Studio installation. Similarly, we observe many on never-ending search for 'mastering' plugins that will magically make mixes sound 'professional'. Often we see new producers mixing and mastering at the same time, getting confused and ending up with disappointing results. ![]() I found those articles with a Google search but there are plenty of others out there.This section explains how to use the tools at your disposal to create a good mix. How to Master a Track in 15 Minutes or Less How to Use Multi-band Compression in Mixing and Mastering Here are a couple of articles that go into greater detail much greater and better about mulitband compression than I could do here: Keep in mind that most people listen to music in their cars through stock stereos or on shitty sounding ear buds so what sounds good through your studio monitors may not sound as good on consumer sound systems - you walk a tight rope here on finding that balance but you'll find a good middle ground. It can also help to compare your masters to albums by artists who you find yourself similar to in style and sound and use that as a reference point to. While you're learning to do it, burn some CDs or mp3s or whatever and take those mixes to your car or put them on your phone or wherever you like to listen to music and use them as reference points. ![]() Mastering is an art form all of its own and takes patience and practice. ![]() Meters are great to give you perspective but trust your ears during the mastering process and take frequent breaks for a few minutes as it's very easy to get carried away with compression or try to use multi-band compression as EQ plus, you can quickly suffer from ear fatigue so keep your ears fresh. The advantage of doing it this way is that you have better control over what you're doing and can apply more compression as needed to mids and/or highs without having the lows causing the higher frequencies to "pump" or "breathe." Generally with rock and roll, I like to use more limiting than compression on lows, more subtle compression on highs and go a bit heavier in the mids but that's just my approach. In a nutshell, multi-band compression is like taking the stereo mix, running each channel though a crossover to split it into highs, mids and lows (or even more bands if you want to get really tweaky), compressing the bands independently then mixing and saving that output as a separate stereo master. Ideally, you would use multi-band compression. I've never used Garage Band, but I do know a thing or two about mastering.
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